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FUN HOME

Huntington Theatre Company

Choreography - Taavon Gamble

CAST

Sarah Bockel as Alison

Maya Jacobson as Medium Alison

Lyla Randall as Small Alison

Nick Duckart as Bruce Bechdel

Jennifer Ellis as Helen Bechdel

Odin Vega as Christian Bechdel 

Caleb Levin as John Bechdel

Wyatt Anton as Roy

Sushma Saha as Joan

CREATIVE

DIrector - Logan Ellis

Scenic Design by Tanya Orellana

Costume Design by Celeste Jennings

Lighting Design by Philip Rosenberg

Sound Design by Megumi Katayama

Wig, Hair, and Makeup design by J. Jared Janas

Music Direction by Jessie Rosso

Assistant Music Direction by Brendon Shapiro

Intimacy by Liv Dumaine

Voice and Dialects by Ashleigh Reade

Dramaturgy by Christine Mok.

Assistant Direction by Alexandra Dietrich

Production Stage Manager - Emily F. McMullen

Stage Manager - Lauren J. Burke.

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METRAG - "Choreography by Taavon Gamble accentuates the Huntington Theatre musical's few actual "dance numbers" (like in the aforementioned "Welcome to the Fun Home" and later in the fun, upbeat song, "Raincoat of Love") and also complimented the rest of the show's staging by Logan Ellis"

STAGEANDCINEMA - "Small Alison plays with her brothers as they race around the funeral home, climb in and out of caskets, and dream up the hilarious jingle for the family business, “Come to the Fun Home.” Taavon Gamble’s movement direction gives these scenes the uninhibited physicality of kids at a dance party."

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CABARETSCENES - "..the three of them raised the roof with “Come to the Fun Home,” a mock commercial they were filming for their dad’s funeral home, which they’ve nicknamed Fun Home. Choreographer Taavon Gamble worked magic with them; he had them popping up out of coffins, break dancing, and table leaping through five minutes of unbridled childhood charm."

ONBOSTONSTAGES - "But it is also a place where the imagination of the Bechdel children – eight-year-old Small Alison (Lyla Randall),  and brothers Christian Bechdel (Odin Vega) and John Bechdel (Caleb Levin) – can run wild, cavorting in caskets, or imagining a commercial for the funeral home in “Welcome to the Fun Home,” with some fine choreography by Taavon Gamble."

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